A blog to gain a lot of knowledge!!

Monday, March 02, 2009

Every Nov. 20, for the past dozen years, Sinforiano Bezanilla has visited a pigeon-covered statue of Gen. Francisco Franco to pay homage to Europe's longest-serving fascist dictator.

This year, the sculpture won't be there. Acting on a law passed by Spain's Socialist government, authorities uprooted the statue of the Generalísimo in December from the city square of Santander in northern Spain and banished it to the local museum.

"The left is attempting to rewrite our country's history. They base it on a series of half-lies, half-truths and outright lies," says Mr. Bezanilla. The 44-year-old municipal worker was just 11 when Franco died. But he has read volumes on the former dictator's ideas and is nostalgic for his regime.

More than three decades after Franco died and 72 years after he seized power, Spain is on a controversial mission to expunge the many emblems of its painful past that are still on public display.

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While monuments to Franco have lingered long in Spain, other leaders' statues have been toppled soon after their regimes fall -- and each time, the monuments become battlegrounds of History.

The Socialist government says the assorted icons of the Franco regime still on view -- fascist-style eagles, yokes and arrows -- have no place in modern Spain. A year ago, it passed a law to eliminate them.

But the drive -- part of a broader law aimed at redressing Franco-era injustices -- has raised hackles among conservatives who say Prime Minister José Luis Rodríguez Zapatero is reopening wounds they say were healed after the dictator's death.

"The question is whether Spain should be looking at what happened 70 years ago, or whether the government needs to start looking to the future," says Jaime García-Legaz, congressman for the opposition Popular Party.

Nazi symbols are illegal in Germany. No statues of former Fascist dictator Benito Mussolini are on display in Italian streets. But in Spain -- today a modern democracy at the heart of the European Union -- monuments to Franco have remained to this day.

"This is the only fascist regime that has seen its symbols survive into the 21st century," says Alejandro Quiroga, a Spanish history professor at Britain's University of Newcastle.

The emblems have lasted so long partly because Spain's dictatorship, which began in 1936 after Franco's forces won a bloody civil war in which 500,000 were killed, lasted far longer than similar authoritarian states. Spain stayed out of World War II, which toppled Hitler and Mussolini, and Franco managed to rule until he died in 1975.

After a new constitution in 1978, Spain's new leaders decided to bury the hatchet in order to preserve the country's fragile new democracy.

[Francisco Franco]

Francisco Franco

No generals ever went on trial, as generals did in Latin America. There were no Truth and Reconciliation Commissions like those held in South Africa. An abortive coup in 1981 reminded Spain's first post-Franco democratic governments of the danger in trying to hold Franco's regime to account.

"There were other priorities than getting rid of the symbols of the Franco regime," says Jesús de Andrés Sanz, a professor at UNED University who has studied the issue. "The new leaders didn't want to make enemies of the extreme right. There was always the threat of a military coup."

The decision not to look back has had curious effects. Politicians ditched the words to the national anthem used during Franco's rule ("Raise your arms, sons of the Spanish people") but couldn't agree on any replacements. Now, when the anthem is played, Spaniards hum awkwardly or invent their own lyrics.

Despite attempts to sweep history under the rug, the deep and bitter ideological divisions that gripped Spain during its three-year civil war have never dissipated and are evident today.

People whose families fought Franco tell stories of repression, torture and killings. After the war, Franco's Nationalist troops rounded up suspected Republicans and killed tens of thousands. The vanquished were sent to labor camps, where an untold number perished. Their children were often given to families that were supportive of the regime.

Descendants of Franco's side say he saved the country from communism and restored the Catholic Church to its rightful place. In today's Spain, where gay marriage, divorce and abortion are all legal, some conservative Spaniards look back fondly on the dictatorship and say they don't want to be persecuted for doing so. "A lot of people are afraid to express themselves," complains Mr. Bezanilla.

The Socialist government's edict is being followed far and wide. The Spanish enclave of Melilla, in northern Africa, has promised to remove the last remaining statue of Franco on public display on Spanish territory, though it hasn't yet set a date.

Some are dragging their feet. In the southern city of Granada, artists are trying to get City Hall to remove a monument to fascism showing five disembodied limbs in stiff-armed salute. "It is very bothersome that it should still be there 30 years on," says Luis García Montero, a local poet. "It recalls a dark period in this country's history. The time has come to get rid of it."

Campaigners want the government to go further and force town halls to rename the hundreds of streets that still commemorate Franco, his generals or his victories.

Even as Franco's statues are banished to basements or museums, the government has a thorn in its side: What to do with the fascist-style mausoleum Franco built for himself and an estimated 40,000 civil-war fighters?

Bored into the side of a mountain near Madrid and topped with a 500-foot cross, Franco's "Valley of the Fallen" cannot be removed or ignored. At the moment, visitors find no mention of the 14,000 laborers who built the complex in the 1940s and '50s, most of them drawn from the ranks of losing fighters from the civil war. The church there remains an active place of worship.

Mr. Zapatero's government toyed with the idea of turning the site into a museum dedicated to Franco's victims but ultimately ducked the issue entirely in its so-called Law of Historical Memory, passed in December 2007.

Since last year, the government has banned neo-fascist groups from commemorating Franco's death there each Nov. 20. Yet fresh wreaths are still laid on his grave there daily, courtesy of the Spanish state.

For some, the Valley of the Fallen is much more than just a symbol from the past. It's the place where their missing fathers ended up. In a bizarre effort to demonstrate Spain's national reconciliation, Franco opened the mass graves of his opponents at the end of the 1950s and had their remains transferred to the site. Some Spaniards have grown up knowing that their relatives, shot by Franco's firing squads and dumped in mass graves, now lie just feet away from the dictator.

"It's a sick joke, an absolute affront, that they are still in there," says Fausto Canales, a 74-year-old man who has spent the decade since he retired trying to retrieve the remains of his father.

Others want Franco's bones taken out. "We can't forget it is the mausoleum of a 20th-century dictator," says 83-year-old Nicolás Sánchez Albornoz, who himself worked for five months at the site when it was being constructed before finally escaping. "No other European country has a state-financed mausoleum of, say, Hitler or Mussolini."

Wednesday, February 28, 2007

Rock of Gibraltar

The Rock of Gibraltar, sometimes called the Pillar of Hercules, is located in Gibraltar, off the southwestern tip of Europe on the Iberian Peninsula. It is 426 meters (1,396 feet) high. This Rock is owned by England, and borders Spain. The rock was won in a war between England and Spain.

The Rock of Gibraltar is a monolithic Jurassic limestone promontory. (36°08′43″N, 05°20′35″W) The geological formation was created when the African tectonic plate collided tightly with Europe about 55 million years ago. The Mediterranean became a lake that, in the course of time, dried up during the Messinian salinity crisis. About five million years ago the Atlantic Ocean broke through the Strait of Gibraltar, and the resultant flooding created the Mediterranean Sea.

The inside of the Rock is criss-crossed by a great and complex system of underground fortifications, known as the Great Siege Tunnels. This network of tunnels was begun by the British in 1782, during the Great Siege of Gibraltar by the Spanish. After the Siege, the fortifications were rebuilt. In the 1800s, the walls were lined with Portland stone which gave them their present white appearance. When World War II broke out in 1939, the civilian population was evacuated to the United Kingdom, Jamaica, and Madeira so that Gibraltar could be fortified against the possibility of a German attack. By 1942 there were over 30,000 British soldiers, sailors, and airmen on the Rock. The tunnel system was expanded and the Rock became a keystone in the defense of shipping routes to the Mediterranean.

In February 2007, it was revealed the British had a secret plan (Operation Tracer) to bury alive service men in the rock incase it was captured by the Germans during World War II. The team in the rock would have radio equipement to monitor enemy movements. The team of six was sent to Gibraltar where it waited under cover for two and half years. The Germans never got close to capturing the rock, so the men were never sealed inside, and they were disbanded to resume civilian life when the war ended.

Despite long sieges it seemed that there was nothing that could destroy the Rock or its people. This history has inspired the simile "solid as the Rock of Gibraltar", which is used to describe a person or situation that cannot be overcome and does not fail. The motto of the Royal Gibraltar Regiment, Nulli Expugnabilis Hosti, reflects this famous invincibility; it is Latin for "Conquerable by No Enemy".

Tuesday, February 27, 2007

Bosnian War.

The War in Bosnia and Herzegovina, commonly known as the Bosnian War, was an armed conflict that took place between March 1992 and November 1995. The war involved several ethnically defined factions within Bosnia and Herzegovina: Bosnian Muslims/Bosniaks, Serbs and Croats as well as a smaller faction in Western Bosnia led by Fikret Abdić. These factions changed their objectives and allegiances several times at various stages of the war.

Since the war in Bosnia and Herzegovina was a consequence of events in the wider region of former Yugoslavia, and due to the involvement of neighboring countries Croatia and Yugoslavia, there is an ongoing debate about whether the conflict was a civil war or a war of aggression. Most Bosniaks and many Croats claim that the war was a war of aggression from Serbia, while Serbs tend to consider it a civil war. The involvement of NATO, during the 1995 Operation Deliberate Force against the positions of the Army of Republika Srpska made the war an internationalized conflict.

There was a trial before the International Court of Justice, following a suit by Bosnia and Herzegovina against the Serbia and Montenegro for genocide (see Bosnian genocide case at the International Court of Justice) from 1993. On 26 February 2006 the ICJ dismissed most charges, claiming that Montenegro and Serbia are innocent, that neither of them have committed genocide nor were they a accomplice in such an event, and that thus the two should pay no war damage to Bosnia and Herzegovina.

The war was brought to an end after the signing of the General Framework Agreement for Peace in Bosnia and Herzegovina in Paris on 14 December 1995 [7]. The peace negotiations were held in Dayton, Ohio, and were finalized on 21 December 1995. The accords are known as the Dayton Agreement.

The war in Bosnia and Herzegovina came about as a result of the breakup of Yugoslavia. Crisis emerged in Yugoslavia with the weakening of the Communist system at the end of the Cold War. In Yugoslavia, the national Communist party, officially called Alliance or League of Communists of Yugoslavia, was losing its ideological potency, while the nationalist and separatist ideologies were on the rise in the late 1980s. This was particularly noticeable in Serbia, Croatia and Bosnia and Herzegovina, and to a lesser extent in Slovenia and Macedonia.

Monday, June 12, 2006

SALSA Time!!

Salsa is a partner dance form that corresponds to salsa music, however it is sometimes done solo too. The word is the same as the Spanish word salsa meaning sauce, or in this case flavour or style.

Salsa is danced on music with a recurring eight-beat pattern, i.e. two bars of four beats. Salsa patterns typically use three steps during each four beats, one beat being skipped. However, this skipped beat is often marked by a tap, a kick, a flick, etc.

Typically the music involves complicated percussion rhythms and is fast with around 180 beats per minute (see salsa music for more).Salsa is a slot or spot dance, i.e., unlike Foxtrot or Samba, in Salsa a couple does not travel over the dance floor much, but rather occupies a fixed area on the dance floor. In some cases people do the Salsa in solo mode.

Salsa music is a fusion of traditional African and Cuban and other Latin-American rhythms that traveled from the islands (Cuba and Puerto Rico) to New York during the migration, somewhere between the 1940s and the 1970s, depending on where one puts the boundary between "real" salsa and its predecessors. There is debate as to whether Salsa originated in Cuba or Puerto Rico. Then again, it is a debate, and there is the possibility that it could have originated in both places or only one. Salsa is one of the main dances in both Cuba and Puerto Rico and is known world-wide. The dance steps currently being danced to salsa music come from the Cuban son, but were influenced by many other Cuban dances such as Mambo, Chá, Guaracha, Changuí, Lukumí, Palo Montel, Rumba, Yambú, Abakuá, Comparsa and some times even Mozambique. It also integrates swing dances. There are no strict rules of how salsa should be danced, although one can distinguish a number of styles.

The basic movement occurring in the dance patterns of the various salsa styles is the stepping on the beat of the music. Salsa is best grouped in pairs of 4-beat patterns counted "1-2-3-...-5-6-7-...". The leader starts on count 1 by stepping with the left foot. On count 2 and 3, they step with right and left, respectively. On count 4, the lead pauses or makes an optional tap with the right foot. On counts 5, 6, and 7, they step with right, left, and right, respectively, again followed by a pause on count 8. As a standard, every step must be taken with full weight transfer. The follower part is identical, but with left and right reversed. In all patterns and styles, the leader starts with the left foot and the follower starts with the right foot.

The term "basic step" normally refers to a forward-backward motion. On counts 1, 2, and 3, the leader steps forward, replaces, and steps backward. On count 5, 6, and 7, they step backwards, replace, and step forward again. The follower does the same, but with forward and backward reversed, so that the couple goes back and forth as a unit. This basic step is part of many other patterns. For example, the leader may dance the basic step while leading the follower to do an underarm turn.
The following variants of the Basic step may be used, often called breaks.
Forward break: Starting from either foot, step Forward, Replace, In-place, counting 1,2,3 or 5,6,7.
Back break: Starting from either foot, step Backward, Replace, In-place, counting 1,2,3 or 5,6,7.
Side break: Starting from either foot, step Sideways, Replace, In-place, counting 1,2,3 or 5,6,7.

Normally Salsa is a partner dance, danced in a handhold. However advanced dancers always include shines, which are basically "show-offs" and involve fancy footwork and body actions, danced in separation. They are supposed to be improvisational breaks, but there are a huge number of "standard" shines. Also, they fit best during the mambo sections of the tune, but they may be danced whenever the dancers feel appropriate.

Saturday, June 10, 2006

HAPPY BIRTHDAY! WE'LL SUE!!!

"Happy Birthday to You" is by far the most well-known song in the English-speaking world, and perhaps the whole world, too. For nearly a century, this simple ditty has been the traditional piece of music sung to millions of birthday celebrants every year — everyone from uncomprehending infants to U.S. presidents; it has been performed in space; and it has been incorporated into untold millions of music boxes, watches, musical greeting cards, and other tuneful products. It therefore surprises many to discover that this ubiquitous song, a six-note melody composed in the 19th century and accompanied by a six-word set of repetitive lyrics, is still protected by copyright — and will be for decades to come.

The "Happy Birthday" story begins with two sisters from Kentucky, Mildred J. Hill and Patty Smith Hill. Patty Smith Hill, born in 1868, was a nursery school and kindergarten teacher and an influential educator who developed the "Patty Hill blocks" used in schools nationwide, served on the faculty of the Columbia University Teachers College for thirty years, and helped found the Institute of Child Welfare Research at Columbia in 1924. Patty's older sister, Mildred, born in 1859, started out as a kindergarten and Sunday-school teacher like her sister, but her career path took a musical turn, and Mildred became an composer, organist, concert pianist, and a musical scholar with an speciality in the field of Negro spirituals. One day in 1893, while Mildred was teaching at the Louisville Experimental Kindergarten School where her sister served as principal, she came up with the modest melody we now know as "Happy Birthday"; sister Patty added some simple lyrics and completed the creation of "Good Morning to All," a simple greeting song for teachers to use in welcoming students to class each day:

Good morning to you,
Good morning to you,

Good morning, dear children,

Good morning to all.

The Hills' catchy little tune was unleashed upon the world in 1893, when it was published in the songbook "Song Stories for the Kindergarten". After the song proved more popular as a serenade for students to sing to their teachers (rather than vice-versa), it evolved into a version with the word "teacher" replacing "children" and a final line matching the first two, and "Good Morning to All" became more popularly known as "Good Morning to You."

Here the trail becomes murky — nobody really knows who wrote the words to "Happy Birthday to You" and put them to the Hills' melody, or when it happened. The "Happy Birthday to You" lyrics first appeared in a songbook edited by one Robert H. Coleman in March of 1924, where they were published as a second stanza to "Good Morning to You"; with the advent of radio and sound films, "Happy Birthday" was widely popularized as a birthday celebration song, and its lyrics supplanted the originals. By the mid-1930s, the revamped ditty had appeared in the Broadway musical The Band Wagon (1931) and had been used for Western Union's first "singing telegram" (1933), and when Irving Berlin's musical As Thousands Cheer made yet another uncredited and uncompensated use of the "Good Morning to All" melody, Jessica Hill, a third Hill sister who administered the copyright to "Good Morning to All" on behalf of her sisters, sprang into action and filed suit. By demonstrating the undeniable similiarities between "Good Morning to All" and "Happy Birthday to You" in court, Jessica was able to secure the copyright of "Happy Birthday to You" for her sisters in 1934 (too late, unfortunately, to benefit Mildred, who had died in 1916).

The Chicago-based music publisher Clayton F. Summy Company, working with Jessica Hill, published and copyrighted "Happy Birthday" in 1935. Under the laws in effect at the time, the Hills' copyright would have expired after one 28-year term and a renewal of similar length, falling into public domain by 1991. However, the Copyright Act of 1976 extended the term of copyright protection to 75 years from date of publication, and the Copyright Term Extension Act of 1998 added another 20 years, so under current law the copyright protection of "Happy Birthday" will remain intact until at least 2030.


The Clayton F. Summy Company is no longer independent, but, through a chain of purchases, the copyright for Happy Birthday To You lies securely in the hands of the Time Warner company. Happy Birthday's copyright is licensed and enforced by ASCAP, and the simple little ditty brings in more than USD $2 million in annual royalties.

Does this mean that everyone who warbles "Happy Birthday to You" to family members at birthday parties is engaging in copyright infringement if they fail to obtain permission from or pay royalties to the song's publisher? No. Royalties are due, of course, for commercial uses of the song, such as playing or singing it for profit, using it in movies, television programs, and stage shows, or incorporating it into musical products such as watches and greeting cards; as well, royalties are due for public performance, defined by copyright law as performances which occur "at a place open to the public, or at any place where a substantial number of persons outside of a normal circle of a family and its social acquaintances is gathered." So, crooning "Happy Birthday to You" to family members and friends at home is fine, but performing a copyrighted work in a public setting such as a restaurant or a sports arena technically requires a license from ASCAP or the Harry Fox Agency.

Thursday, June 08, 2006

Fidel Castro

Fidel Alejandro Castro Ruz (born August 13, 1926) has been the head of state of Cuba since 1959, when he commanded the attack that overthrew Fulgencio Batista. He mandated the transformation of Cuba into a socialist republic.
Castro, in his long tenure as leader of Cuba has been variously described as a totalitarian despot and a charismatic liberator, both widely hated and widely popular, courageous and cowardly, a benevolent dictator, an astute politician and an autocratic totalitarian murderer, a dedicated socialist ideologue and a pragmatic nationalistic power monger. Few leaders in history have received such a wide range of praise and criticism.
Castro then got attention in Cuban political life through his fervent nationalism and his critiques of Batista and US corporate and political influence in Cuba. He gained an ardent, but limited, following and also drew the attention of the authorities. His leadership of the 1953 attack on the Moncada Barracks, his subsequent trial, incarceration and exile to Mexico led to the guerrilla invasion of Cuba in December 1956. Since his accession to power in 1959 he has invoked both praise and condemnation (at home and internationally).
Outside of Cuba, Castro has been defined by his relationship with both the United States and with the former Soviet Union. Ever since the failed Bay of Pigs invasion of Cuba in 1961 by the United States, his government has had an openly antagonistic relationship with the US, and a simultaneous closeness with the Soviet bloc. This was true until the collapse of the Soviet Union in 1991, after which his priorities shifted from supporting foreign intervention to partnerships with regional socialist movements such as that of Hugo Chavez in Venezuela.
Domestically, though the economy has been generally weak, Fidel Castro has overseen the implementation of various policies which saw the rapid centralization of Cuba's economy - land reform, collectivization of agriculture, nationalization of leading Cuban industries, and the expansion of publicly funded health care and education. Many accredit these moves with bettering the lot of Cuban citizens, while others dispute the results and point not only to general economic depredation that exists in Cuba today, but the criminalization of political dissent that has come along with it.

Tuesday, May 16, 2006

Alif Layla

The book popularly called Arabian Nights or One Thousand and One Nights in English and Alif Layla in Persian is a medieval Middle-Eastern literary epic which tells the story of Scheherazade, a Sassanid Queen, who must relate a series of stories to her malevolent husband, the King, to delay her execution. The stories are told over a period of one thousand and one nights, and every night she ends the story with a suspenseful situation, forcing the King to keep her alive for another day. The individual stories were created over many centuries, by many people and in many styles, and they have become famous in their own right.

The story takes place in the Sassanid era and begins with the Persian king Shahryar. The king rules an unnamed island "between India and China". Shahryar is so shocked by his wife's infidelity that he kills her and, believing all women to be likewise unfaithful, gives his vizier an order to get him a new wife every night. After spending one night with his bride, the king has her executed at dawn. This practice continues for some time, until the vizier's clever daughter Sheherazade forms a plan and volunteers to become Shahrayar's next wife. With the help of her sister Dunyazad, every night after their marriage she spends hours telling him stories, each time stopping at dawn with a cliffhanger, so the king will postpone the execution out of a desire to hear the rest of the tale. In the end, she has given birth to three sons, and the king has been convinced of her faithfulness and revoked his decree.

While in many cases a story is cut off with the hero in life danger or another kind of deep trouble, in some parts of the full text Scheherazade stops her narration in the middle of an exposition of abstact philosophical principles or abstruse points of Islamic theology, and in one case during a detailed description of human anatomy according to Galen. In all these cases turns out to be justified in her belief that the king's curiosity about the sequel would buy her another day of life.

The tales vary widely; they include historical tales, love stories, tragedies, comedies, poems, burlesques and Muslim religious legends. Some of the famous stories Sheherazade spins in many western translations are Aladdin's Lamp, the Persian Sindbad the Sailor, and the tale of Ali Baba and the Forty Thieves as well as the tales of Hatim who must complete his quest for answers to 7 questions.

Numerous stories depict djinns, magicians, and legendary places, which are often intermingled with real people and geography; the historical caliph Harun al-Rashid is a common protagonist, as are his alleged court poet Abu Nuwas and his vizier, Ja'far al-Barmaki. Sometimes a character in Scheherazade's tale will begin telling other characters a story of his own, and that story may have another one told within it, resulting in a richly layered narrative texture.

Contrary to popular belief, Scheherazade's stories are not just childern's entertainment. They fall in the same genre as Shakespeare's plays and carry the same elegance as that of noted poet Omar Khayyam's works. Persian lifestyle and culture can best be learnt from Alif Layla. Many of these stories have been immortalised in comics, computer games and even movies.